What's the big deal with Olivia Kidney?
While it seemed that practically every elementary school student loved Olivia Kidney, I had never even heard of the Olivia Kidney series by Ellen Potter before our reading class this semester. With the assignment to read a realistic fiction book for our blog (and our later opportunity to Skype with Ellen Potter), I had to take this chance to see for myself what all this ruckus about Olivia Kidney is about.
Once I started reading, it didn't take long for me to become completely absorbed in the crazy apartment building of Olivia Kidney. One day stranded out of her apartment because she forgot her key, Olivia is shooed out of the hallway by the old woman down the hallway. The old woman invites Olivia inside where Olivia meets just the first of her peculiar neighbors. As the afternoon goes on, Olivia meets a tarot card reader, adventures into a tropical rainforest, escapes from a lady covered in lizards, and makes her first friend with a boy who doesn't even know he is...well, you'll have to read to find out! Potter's illustrative language and totally outrageous but completely possible plot makes this book wonderful for readers ages eight and up.
About every thirty pages, a full-page illustration by Peter H. Reynolds accompanied the current chapter. The scarcity of illustrations contrasts sharply to the frequency of illustrations in the picture books and collections of poetry and fairy tales we have read. When I read picture books, I first glanced at the illustration before reading the text. Any images I form from reading the text thereafter are based upon the illustration. In Olivia Kidney, however, because no picture was present at the introduction of a character, I formed a mental illustration in my head based on the text I was reading. When the illustration came later showing a picture of the character I had already formed a picture of in my head, I found myself blending my image and Reynold's illustration. Reynold's illustration added depth, reality, and concreteness to my mental picture. I would find myself stopping extra long at the pages with illustrations thinking about all the text that preceded it. Reynolds uses "pencil and pen - and sometimes a little paint" in his sketches. For more information on his illustrations, click here.
I am glad I finally know what all the fuss is about with Olivia Kidney. I can't wait to get my hands on other books from the series and find out Ellen Potter's inspiration behind the lovable, quizzical character of Olivia Kidney.
Friday, October 22, 2010
Monday, October 11, 2010
A Visit to William Blake's Inn: Poems for Innocent and Experienced Travellers by Nancy Willard
Nancy Willard's Newberry Medal winning and Caldecott Honor poetry collection, A Visit to William Blake's Inn, is full of rhythm and rhyme, clever lines and intricate illustrations. Willard was only seven years old when she fell in love with William Blake (1757-1827), an English poet, painter, and printmaker of the Romanic Age. Willard's babysitter quoted "The Tyger" by Blake as a bedtime story for Willard:
Blake's poetry inspired Willard as a young poet and she pays tribute to him by writing fifteen poems about William Blake himself running an inn. The fifteen poems present an inn full of fantasy complete with a staff of mighty dragons and patient angels. Throughout the collection, various visitors arrive including the King of Cats and the Wise Cow. A little boy who arrives find his pillow to be nothing but a shaggy old bear. In my favorite poem of the collection, "Blake's Wonderful Car Delivers Us so Wonderfully Well," a guest's luggage shrinks "small and pale as envelopes" because "All luggage must be carried flat and worn discreetly on your hat" to fit on the Wonderful Car. The rhythm of the poems lends to easy and expressive reading while the different rhyme forms present children with a variety of ways to rhyme.
A two-page illustration spread accompanies each poem. The illustrators, Alice and Martin Provensen, use a gouache technique in their paintings. Gouache is similar to watercolor but varies in that the pigment is suspended in water rather than mixed. The illustrations depict William Blake's London of the late eighteenth, early nineteenth century. Children can have an inside look into another time while listening to the beautiful language of Willard. The illustrations also provide children with a concrete base to interpret the poem, as Willard's language is often complicated and abstract.
I would recommend this collection of poetry for reading aloud at home or in the classroom. Children ages nine or older would most love this collection as they can begin to interpret the hidden meanings of poetry. Children at these ages as well can begin to form poetry of their own using the various rhyming forms of Willard's poetry.
This collection of fifteen poems includes:
Tyger, Tyger, burning bright
In the forests of the night
What immortal hand or eye
Could frame they fearful symmetry?
Blake's poetry inspired Willard as a young poet and she pays tribute to him by writing fifteen poems about William Blake himself running an inn. The fifteen poems present an inn full of fantasy complete with a staff of mighty dragons and patient angels. Throughout the collection, various visitors arrive including the King of Cats and the Wise Cow. A little boy who arrives find his pillow to be nothing but a shaggy old bear. In my favorite poem of the collection, "Blake's Wonderful Car Delivers Us so Wonderfully Well," a guest's luggage shrinks "small and pale as envelopes" because "All luggage must be carried flat and worn discreetly on your hat" to fit on the Wonderful Car. The rhythm of the poems lends to easy and expressive reading while the different rhyme forms present children with a variety of ways to rhyme.
A two-page illustration spread accompanies each poem. The illustrators, Alice and Martin Provensen, use a gouache technique in their paintings. Gouache is similar to watercolor but varies in that the pigment is suspended in water rather than mixed. The illustrations depict William Blake's London of the late eighteenth, early nineteenth century. Children can have an inside look into another time while listening to the beautiful language of Willard. The illustrations also provide children with a concrete base to interpret the poem, as Willard's language is often complicated and abstract.
I would recommend this collection of poetry for reading aloud at home or in the classroom. Children ages nine or older would most love this collection as they can begin to interpret the hidden meanings of poetry. Children at these ages as well can begin to form poetry of their own using the various rhyming forms of Willard's poetry.
This collection of fifteen poems includes:
William Blake's Inn for Innocent and Experienced Travelers
Blake's Wonderful Car Delivers Us Wonderfully Well
A Rabbit Reveals My Room
The Sun and Moon Circus Soothes the Wakeful Guests
The Man in the Marmalade Hat Arrives
The Kind of Cats Orders an Early Breakfast
The Wise Cow Enjoys a Clous
Two Sunflowers Move into the Yellow Room
The Wise Cow Makes Way, Room, and Believe
Blake Leads a Walk on the Milky Way
When We Come Home, Blake Calls for Fire
The Marmalade Man Makes a dance to Mend Us
The Kind of Cats Sends a Postcard to His Wife
The Tiger Asks Blake for a Bedtime Story
Blake Tells the Tiger the Tale of the Tailor
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